Liberty 360 is a waste of taxpayer money in that it is a dreadful show - while the design of the space is terrible and the technology is awful, the content manages to be the worst part of Liberty 360.
Neil Nandi
November 4, 2010
Overview
George Washington began the second term in the history of the Presidency of the United States in a plain red brick building called Congress Hall, located on the southeast corner of 6th and Chestnut Streets. The simplicity of this modest building - the precursor to the magnificent U.S. Capitol building in Washington, D.C. - underlies the humble dignity of this nation’s fundamental goal: a government of the people, by the people, for the people. A little more than two hundred years later, Congress Hall has been marred by garish lights from across 6th Street, lights whose tackiness, pointlessness and blindness to good sense underlie those same qualities in its source: Liberty 360, the new show at the Historic Philadelphia Center, located at the southwest corner of 6th and Chestnut Streets. The show runs 15 minutes and costs $6.00, yet somehow manages to be a remarkable waste of time and money.
George Washington began the second term in the history of the Presidency of the United States in a plain red brick building called Congress Hall, located on the southeast corner of 6th and Chestnut Streets. The simplicity of this modest building - the precursor to the magnificent U.S. Capitol building in Washington, D.C. - underlies the humble dignity of this nation’s fundamental goal: a government of the people, by the people, for the people. A little more than two hundred years later, Congress Hall has been marred by garish lights from across 6th Street, lights whose tackiness, pointlessness and blindness to good sense underlie those same qualities in its source: Liberty 360, the new show at the Historic Philadelphia Center, located at the southwest corner of 6th and Chestnut Streets. The show runs 15 minutes and costs $6.00, yet somehow manages to be a remarkable waste of time and money.
Historic Philadelphia Incorporated (HPI) suggests something marvelous from its Liberty 360 show, heralding,
“This amazing, emotional, visual and audio film adventure celebrates the iconic symbols which have shaped the history of America... This brand new attraction, a 360-degree, 3-D show designed by David Niles escorts the audience on a journey of discovery and exploration of America...”What a wonderful concept: a spectacle that will use cutting-edge entertainment technology to infuse America’s incredible past with an energy capable of powerfully conveying to 21st Century audiences the inspirational story of our freedom. At its core, this is truly a great idea. So was the Edsel.
Instead of delivering a compelling product that merges history with modernity, HPI has produced a boring and disjointed waste of money that, remarkably, may leave audience members less knowledgeable than when they entered.[1]
